Joyce DiDonato: There Stands the Glass’ Artist of the Year

Original image of promotional bookmark picturing Kelli O’Hara, Joyc DiDonato and Renée Fleming by There Stands the Glass.

Friends and family remain mystified by my embrace of opera.  The widespread assumption that the form is the exclusive domain of wealthy elitists is pervasive- and deservedly so.  Yet until approximately 100 years ago, opera was a ubiquitous form of popular music.  The music didn’t change.  Instead, the ways in which the music was presented became cost-prohibitive and classist.  Joyce DiDonato is aware of opera’s image problem.  The celebrity soprano dedicated a significant portion of her energy in 2022 to audience outreach.  Without compromising her artistry, DiDonato’s concerts in support of the glorious album Eden and her other projects rendered opera relevant and accessible.  Harmonious with my own attitude, DiDonato’s initiatives make her There Stands the Glass’ Artist of the Year.


Honorable mention: Mary Halvorson, Moor Mother and Sault.  The previous winners of the Artist of the Year designation are Pat Metheny (2021) and Bad Bunny (2020).

Feelin’ U: The Top Albums and Songs of 2022

The Top 50 Albums of 2022

1. Moor Mother- Jazz Codes

Review.

2. Mary Halvorson- Belladonna

Review.

3. Natalia Lafourcade- De Todas las Flores

4. Oren Ambarchi- Ghosted

Review.

5. Joyce DiDonato- Eden

6. Rosalía- Motomami

7. Nate Wooley- Ancient Songs of Burlap Heroes

Review.

8. Pusha T- It’s Almost Dry

9. The Weeknd- Dawn FM

Podcast discussion.

10. Dave Douglas- Songs of Ascent: Book 1- Degrees

11. Sarah Davachi- Two Sisters

Review.

12. Billy Woods- Aethiopes

13. Bad Bunny- Un Verano Sin Ti

14. Tim Bernardes- Mil Coisas Invisíveis

15. Brad Mehldau- Jacob’s Ladder

Review.

16. Bobby Watson- Back Home in Kansas City

Review.

17. Anat Cohen- Quartetinho

18. Caroline Shaw and Attacca Quartet- Evergreen

19. Miranda Lambert- Palomino

20. François-Xavier Roth and Les Siècles- Claude Debussy’s Pelléas et Mélisande

21. Vince Staples- Ramona Park Broke My Heart

22. Sault- (God)

23. Matthew Shipp Trio- World Construct

24. Mitsuko Uchida- Beethoven: Diabelli Variations

Review.

25. Beyoncé- Renaissance

Review.

26. Hermon Mehari- Asmara

Review.

27. Samantha Ege- Black Renaissance Women

28. Danger Mouse and Black Thought- Cheat Codes

29. Tyshawn Sorey- The Off-Off Broadway Guide to Synergism

30. Nduduzo Makhathini- In The Spirit of Ntu

31. Silvana Estrada- Marchita

32. Carolin Widmann- L’Aurore

33. Robert Levin- Wolfgang Amadeus Mozart: The Piano Sonatas

34. Megan Thee Stallion- Traumazine

35. Gerald Clayton- Bells on Sand

Review.

36. iLe- Nacarile

37. Jóhann Jóhannsson- Drone Mass

38. Lucrecia Dalt- ¡Ay!

39. Lise Davidsen and Leif Ove Andsnes- Edvard Grieg

Review.

40. Daniel Villarreal- Panamá 77

41. Wilco- Cruel Country

Review.

42. Sault- 11

43. Tedeschi Trucks Band- I Am the Moon III: The Fall

Review.

44. Cyrille Dubois and Tristan Rais- Fauré: Complete Songs

45. Clarice Jensen- Esthesis

46. Caroline Shaw and I Giardini- The Wheel

47. Tony Malaby’s Sabino- The Cave of Winds

Review.

48. Benny the Butcher- Tana Talk 4

49. Sault- Air

Review.

50. 2 Chainz- Dope Don’t Sell Itself

The Top 50 Songs of 2022 (Spotify playlist)

1. Porridge Radio- “End of Last Year”

2. Kae Tempest featuring Lianne La Havas- “No Prizes”

3. Celeste- "To Love a Man"

4. Anna Butterss- "Doo Wop"

5. Ice Spice- “Munch (Feelin’ U)”

6. Jana Rush featuring DJ Paypal- “Lonely”

7. Jimetta Rose & The Voices of Creation- "How Good It Is"

8. Lee Fields- "Forever"

9. Rod Wave- "Cold December"

10. More Eaze featuring Claire Rousay- "floor Pr. 2"

11. DJ Snake- “Disco Maghreb”

12. Anitta featuring Chencho Corleone- "Gata"

13. Horace Andy- "Watch Over Them"

14. Kaitlin Butts- “She’s Using”

15. Soul Glo- “Gold Chain Punk (whogonbeatmya–)”

16. Drake- "Down Hill"

17. Leikeli47- “LL Cool J”

18. Babehoven- “Fugazi”

19. Sunny Sweeney featuring Vince Gill- “Married Alone”

20. Cécile McLorin Salvant- “Ghost Song”

21. Steve Lacy- "Bad Habit"

22. Aldous Harding- “Fever”

23. Ibibio Sound Machine- “17 18 19”

24. Blackstarkids- “Sex Appeal”

25. Camilo and Nicki Nicole- "Naturaleza"

26. Hailey Whitters- “Everything She Ain’t”

27. Plains- “Hurricane”

28. Big Joanie- “In My Arms”

29. Horse Lords- “Rundling”

30. SleazyWorld Go featuring Offset- “Step 1”

31. Rauw Alejandro featuring Baby Rasta- “Punto 40”

32. Cole Swindell- “She Had Me at Heads Carolina”

33. Willie Nelson- “I’ll Love You Till the Day I Die”

34. Tank and The Bangas featuring Lalah Hathaway and Jacob Collier- “Where Do We All Go”

35. Drake and 21 Savage- “Major Distribution”

36. SZA- “Kill Bill”

37. Big K.R.I.T.- “So Cool”

38. Emily Nenni- “On the Ranch”

39. Ohma- “Seeing Beyond What Is Here”

40. Thotcrime- “You’re Like a Black Hole, The Way You Expect My Life to Revolve Around You”

41. The Smile- “Opposite”

42. Jon Pardi- “Mr. Saturday Night”

43. Lyle Lovett- “12th of June”

44. Animal Collective- “Cherokee”

45. Hiatus Kaiyote- "Get Sun (Georgia Anne Muldrow remix)"

46. Coi Leray- "Players"

47. Leland Whitty- "Awake"

48. Regina Spektor- “Becoming All Alone”

49. Craig Finn- “Messing With the Settings”

50. Peter Lehndorff- “Nothing Can Change”

The Top 25 EPs of 2022

1. Earl Sweatshirt- Sick!

Review.

2. Tom Skinner- Voices of Bishara

3. Drug Church- Hygiene

4. DJ Premier- Hip Hop 50, Vol. 1

5. The Adam Larson Trio- With Love, From Kansas City

Review.

6. Sault- Aiir

7. Iceboy Violet- The Vanity Project 

Review.

8. Shabaka- Afrikan Culture

9. Your Old Droog- Yod Stewart

10. Christian Nodal- EP #1 Forajido

11. Christina Aguilera- La Fuerza

12. Flee Lord- Pray for the Evil 3 

13. Duckwrth- Chrome Bull

14. Ryley Walker- So Certain

15. Your Old Droog and Tha God Fahim- The Wolf On Wall St. 2

16. WiFiGawd- Chain of Command

17. Chubby and the Gang- Labour of Love

18. Brain Tourniquet- Brain Tourniquet II

19. Lil Uzi Vert- Red & White

20. Khruangbin and Leon Bridges- Texas Moon

21. Otoboke Beaver- Super Champon

22. Portico Quartet- Next Stop

23. Elvis Costello- The Resurrection of Rust

24. Flatland Cavalry- Songs to Keep You Warm

25. Lil Ugly Mane- I Believe the World Would Be a Better Place Without You

The Top 25 Reissues, Compilations and Reimaginings of 2022

1. Charles Stepney- Step on Step

2. Saturno 2000: La Rebajada de Los Sonideros 1962-1983

Review.

3. Miles Davis- That’s What Happened 1982-1985: The Bootleg Series, Vol. 7

Review.

4. Brian Harnetty- Words and Silences

Review.

5. Prince and the Revolution- Live

6. Son House- Forever On My Mind

Review.

7. The Beatles- Revolver: Super Deluxe

8. Ray Charles- Live in Stockholm 1972

9. Pastor Champion- I Just Want to be a Good Man

10. Bert Jansch- Bert at the BBC

11. The Pyramids- Aomawa: The 1970s Recordings

Review.

12. Quattro Modigliani- Schubert: The String Quartets

13. Elton John- Madman Across the Water: Deluxe Edition

14. África Negra- Antologia Vol.1

15. Andrew Cyrille, Elliott Sharp and Richard Teitelbaum- Evocation

16. Pavement- Terror Twilight: Farewell Horizontal

Review.

17. Biluka y Los Canibales- Leaf-Playing in Quito, 1960-1965

18. Geri Allen, Charlie Haden and Paul Motian- Live at the Village Vanguard: Unissued Tracks

19. Cecil Taylor- The Complete, Legendary, Live Return Concert at the Town Hall N.Y.C. November 4, 1973

20. Charles Mingus- The Lost Album from Ronnie Scott’s

21. Norah Jones- Come Away With Me: Super Deluxe Edition

22. Nancy Mounir- Nozhet El Nofous

Review.

23. Marius Constant- Xenakis: Syrmos, Polytope de Montréal, Medea, Kraanerg & Oresteia

24. Staples Jr. Singers- When Do We Get Paid

25. Pauline Oliveros and James Ilgenfritz- Altamirage

The Top Kansas City Albums of 2022

The Top 25 Kansas City Albums of 2022

1. Joyce DiDonato- Eden

Concert review.

2. Bobby Watson- Back Home in Kansas City

Review.

3. Hermon Mehari- Asmara

Review.

4. Steve Cardenas- Healing Power: The Music of Carla Bley

Review.

5. SleazyWorld Go- Where the Shooters Be

6. Adam Larson Trio- With Love, From Chicago

Review.

7. Mister Water Wet- Significant Soil

8. Kevin Morby- This Is a Photograph

9. Blackstarkids- Cyberkiss

Concert review.

10. Making Movies- Xopa

11. LeVelle- My Journey Continues

Review.

12. Krista Kopper and Evan Verploegh- For the Trees

Review.

12. Matt McBane and Sandbox Percussion- Bathymetry

13. Daniel Velasco and Ellen Sommer- Flauta Andina - 20th Century Andean Music for Flute and Piano

15. Huerco S.- Plonk

16. Arnold Young and the Roughtet- Fear Is the Mind Killer

Review.

17. Mister Water Wet- Top Natural Drum

18. Rod Fleeman Trio- Saturday Afternoon: Live at Green Lady Lounge

19. Matt Villinger’s All Night Trio- All Faded

Review.

20. Dutch Newman- This Too Shall Pass, Pt. 2

21. Poor Bishop Hooper- Psalm 119

22. Katy Guillen & The Drive- Another One Gained

23. Isaac Cates & Ordained- Amazed

24. The Creepy Jingles- Take Me at My Wordplay

25. The Greeting Committee- Dandelion


The Top 10 Kansas City EPs of 2022

1. Adam Larson Trio- With Love, From Kansas City

Review.

2. Samantha Fish and Jesse Dayton- The Stardust Sessions

3. Jackoffs- Prime Specimen

Review.

4. Flora- Emerald City

5. Stik Figa and Conductor Williams- Valley of Dry Bones

6. Eddie Moore- Intuition

Review.

7. Atticus vonHolten- A Highway Tore Through Me

8. Blob Castle and Daniel Lima- Contempoétnico

9. Piss Kinks- A Tisket, A Tasket

10. Jake Wesley Rogers- Love


Links to previous annual surveys begin here.

Book Review: Corporate Rock Sucks: The Rise and Fall of SST Records, Jim Ruland

Original image by There Stands the Glass.

Greg Ginn and I bonded over our mutual respect for Sonny Rollins the first time we met.  Many fans of Ginn’s seminal punk band Black Flag might be surprised by the anecdote.  Yet Jim Ruland’s revealing new book Corporate Rock Sucks: The Rise and Fall of SST Records repeatedly affirms Ginn's predilection for jazz.

Through a circuitous series of developments in the music distribution realm I then inhabited, my initial meeting with Ginn in the late ‘80s indirectly led to the debilitating blow dealt to SST by the bankruptcy of my employer in 2001.  (Mine was among the dozens of jobs that were lost in the post-Napster fallout.)

Ruland mentions the bankruptcy in passing, but his study primarily focuses on the staggeringly eclectic range of music released by SST.  The backstories of classic albums by the likes of Black Flag, ​​Hüsker Dü, the Minutemen and Sonic Youth are related in detail, as is Ginn’s adamant refusal to sign Nirvana.

From a purely artistic perspective, Ginn’s bias was justified.  He’d already signed the superior Soundgarden to SST.  Yet my head spins when I speculate about the additional Sonny Rollins-inspired punk albums that might have been issued had SST been flush with Nirvana money.

The Top Fifty Performances of 2022

Original image of Blackstarkids by There Stands the Glass.

I’ve gone out to hear live music 123 times in 2022. I’m not done yet- I plan to hit a couple gigs this evening. Even without attending a single festival, I’ve taken in more than 225 performances this year. And yes, wise guys, I’ve been the oldest person in the room at a third of the shows listed below. You can’t blame a person for trying to make up for lost time. Unless indicated otherwise, the events took place in the Kansas City area.

1. Nduduzo Makhathini at the Blue Room

Review.

2. Joyce DiDonato at the Folly Theater

Review.

3. Little Joe y La Famalia at the Guadalupe Center

Review.

4. Logan Richardson + Blues People at the Ship

Review.

5. Blackstarkids at recordBar

Review.

6. Angela Winbush, Men at Large and Levelle at Juneteenth KC

Review.

7. Godspeed You! Black Emperor at the Roseland Theater (Portland)

Review.

8. Samantha Ege at the Folly Theater

Review.

9. Sparks at the Crystal Ballroom (Portland)

Review.

10. Flatland Cavalry at the Truman

Review.


11. Daniil Trifonov at the Folly Theater

Review.

12. Lucibela at Old Church Concert Hall (Portland)

Review.

13. Show Me the Body, Soul Glo, Wifi Gawd, Ebony Tusks and Piss Kinks at recordBar

Review.

14. FKJ and Ohma at the Midland theater

Review.

15. Livia Nestrovski and Henrique Eisenmann at the 1900 Building

Review.

16. Salvation Choir at Theis Park

Review.

17. Algara, P.S.Y.W.A.R. and New Obsessions at Farewell

Review.

18. Sheku Kanneh-Mason and Isata Kanneh-Mason at the Folly Theater

Instagram photo.

19. Animal Collective and Spirit of the Beehive at the Truman

Review.

20. Adam Larson, Clark Sommers and Dana Hall at Westport Coffee House

Review.

21. Porridge Radio and Blondshell at Doug Fir Lounge (Portland)

Instagram clip.

22. Black Crack Revue at Westport Coffee House

Review.

23. High Pulp at recordBar

Review.

24. Escuela Grind at Farewell

Review.

25. Phillip Greenlief, Midwestern and the Extemporaneous Music and Arts Society at Bushranger Records

Review.

26. Steve Cardenas, Forest Stewart and Brian Steever at recordBar

Review.

27. Terence Blanchard with Turtle Island Quartet at Atkins Auditorium

Review.

28. Arnold Young and the RoughTet at the Ship

Instagram clip.

29. Marin Alsop and Orchestra Sinfônica do Estado de São Paulo at Helzberg Hall

Review.

30. John Hiatt and Lyle Lovett at the Uptown Theater

Review.


31. Bob Bowman and Peter Schlamb at Second Presbyterian Church

Review.

32. Mspaint at Nightjar

Instagram clip.

33. Babehoven at Farewell KC

Instagram clip.

34. UMKC’s Conservatory’s “Cosi Fan Tutte” at White Recital Hall

Instagram photo.

35. Live Skull and Still Ill at recordBar

Review.

36. Crystal Gayle at Ameristar Casino

Review.

37. Evan Verploegh and Ben Baker at World Culture

Review.

38. Keefe Jackson, Jakob Heinemann and Adam Shead at Black Dolphin

Instagram photo.

39. Cuong Vu and Ted Poor at Jack London Revue (Portland)

Review.

40. Ozomatli at KC Live

Instagram clip.


41. Gorillaz and EarthGang at the Moda Center (Portland)

Review.

42. Escher String Quartet at Polsky Theatre

Review.

43. Damien Sneed at the Folly Theater

Review.

44. John Waite at Ranch Mart Shopping Center

Instagram clip.

45. William Baker Singers at Grace & Holy Trinity Cathedral

Review.

46. Raven Chacon at Agnes Arts

Review.

47. Rod Fleeman at Green Lady Lounge

48. Ducks Ltd. at the Green House

Instagram clip.

49. Billy Cobham at Dolores Winningstad Theatre (Portland)

Review.

50. Roger Waters at the T-Mobile Center

Review.

Count Me Out

Shocked by the wretchedness of the latest release by the world’s most important rapper, I’ve returned to Kendrick Lamar’s Mr. Morales & the Big Steppers every few weeks since its release in May. It gets worse with each listen. Uninspired, self-pitying and vainglorious, Lamar all but acknowledges the album is a compulsory product rather than a meaningful artistic statement. Watching the corresponding concert video verified my impression. I long for a return to the brilliance Lamar displayed in the previous decade.

November 2022 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer of Dutch National Opera’s production of Steef de Jong’s “Operetta Land” by There Stands the Glass.

Top Ten Albums of November

1. Hermon Mehari- Asmara

My review.

2. Sault- (God)

Universal gospel.

3. Tyshawn Sorey- The Off-Off Broadway Guide to Synergism

With Greg Osby, Aaron Diehl and Russell Hall.

4. Sault- 11

Exalted soul.

5. SleazyWorld Go- Where the Shooters Be

The new king of Kansas City.

6. Charles Lloyd- Trios: Trios: Sacred Thread

With Julian Lage and Zakir Hussain.

7. Sault- Earth

Global grooving.

8. Sault- Today & Tomorrow

Holistic psych-rock.

9. Julie Campiche Quartet- You Matter

The Swiss harpist’s post-Logan Richardson improvisations.

10. Nicholas Payton- The Couch Sessions

With Buster Williams and Lenny White.


Top Ten Songs of November

1. Drake and 21 Savage- “Major Distribution”

Middlemen.

2. SpotemGottem- "Block Got Hot"

Tunechi 2.0.

3. Tiwa Savage and Asake- "Loaded"

Rich.

4. E-40- "In the Air Where It's Fair"

Flying high.

5. Brockhampton- “Big P—y”

The unseemly implosion of the boy band is disheartening.

6. Okay Kaya- “Jazzercise”

Workout.

7. Randy Houser- “Out and Down”

Neon tears.

8. Gorillaz- "Baby Queen"

Aging princess.

9. Young Dolph- "Get Away"

“Hell right here on earth.”

10. Nas- "Once a Man, Twice a Child"

The wisdom of elders.


Top Ten Performances of November

1. Mspaint at Nightjar

My Instagram clip.

2. Keefe Jackson, Jakob Heinemann and Adam Shead at Black Dolphin

My Instagram photo.

3. Crystal Gayle at Ameristar Casino

My review.

4. Rod Fleeman at Green Lady Lounge

The guitarist is Plastic Sax's 2021 Person of the Year.

5. Damien Snead’s “Our Song, Our Story: The New Generation of Black Voices” at the Folly Theater

My review.

6. UMKC Conservatory’s production of Jules Massenet’s Chérubin at White Recital Hall

My Instagram photo.

7. Harmony Zhu at the Folly Theater

My review.

8. Ulysses Quartet at Keystone United Methodist Church

My Instagram photo.

9. Aryana Nemati at the Blue Room

My Instagram clip.

10. Jazz Disciples at the Blue Room

My Instagram photo.



Last month’s survey is here.

Book Review: Victory Is Assured, Stanley Crouch

Original image by There Stands the Glass.

When I spent 90 minutes in the presence of Stanley Crouch in 2014, I thought of him mostly as the most prominent advocate of Wynton Marsalis’ usurpation of the jazz establishment and as the author of the recently published Kansas City Lightning: The Rise and Times of Charlie Parker.  Knowing what I know now, I would almost certainly have embarrassed myself groveling before the imposing intellectual that day.  

Encountering Crouch’s extended meditation on an unlikely performance by the Duke Ellington Orchestra at Disneyland in Victory Is Assured: Uncollected Writings of Stanley Crouch allowed me to belatedly recognize his brilliance.  The new posthumous collection of unpublished and uncollected essays, notes and reviews is an engaging survey of Crouch’s imposing range.

In addition to pieces addressing the familiar Crouch subjects Ellington, Marsalis and Charlie Parker, the survey includes surprising topics including a brief appreciation of the Italian actress Anna Magnani, a scathing takedown of Quentin Tarantino’s Django Unchained and a spirited defense of two critically disparaged late-career Marvin Gaye albums.

Although I relished every page of Victory Is Assured, I still don’t buy into a few core Crouch doctrines. Yet the collection allows me to better understand his loathing of rap, disdain for plugged-in crossover jazz and unequivocal endorsement of Marsalis. I only wish I’d come to this more complete understanding during his lifetime.

Concert Review: Damien Sneed at the Folly Theater

Original image by There Stands the Glass.

Knowing they’d be amused by my response, two cousins asked me what I’d been listening to when we chatted during a family gathering on Sunday, November 20.  I told them that in addition to watching a new production of Richard Strauss’ “Der Rosenkavalier” (gorgeous!), I’d spent the first part of the day taking in new music by GloRilla (wild!) and Run the Jewels (vital!).

The cousins laughed at the idea of their graying relative enjoying hip-hop and opera on a frigid Sunday.  I don’t find it odd.  A concert presented by the Harriman-Jewell Series at the Folly Theater that evening displayed similar stylistic breadth.  An audience of about 200 heard a splendid mix of Black gospel, opera, European art songs and contemporary classical music.

A 78% discount on two seats in the third row convinced me to attend the recital billed as “Our Song, Our Story: The New Generation of Black Voices.”  What a bargain!  I’ll remember the concert overseen by Damien Sneed for years.  The perplexingly unpolished presentation belied the emotional impact of the staggering talent displayed by seven musicians. 

Rather than expounding on Raven McMillon’s heartrending treatment of “Balm in Gilead,” Sneed’s reading of Hale Smith’s startling “Evocation” or the Griot String Quartet’s interpretation of Coleridge-Taylor Perkinson’s “Calvary” or assessing the success of the concert’s premise, I’ll simply note that sitting twenty feet from the category-defying Raehann Bryce-Davis was a privilege.

Concert Review: Harmony Zhu at the Folly Theater

Original image by There Stands the Glass.

Sixteen-year-old Harmony Zhu displayed disarming poise and unlimited potential at the Folly Theater on Sunday, November 13.  The same couldn’t be said for dozens of members of the audience of more than 500 at the Harriman-Jewell Series' free Discovery Concert.

Cacophonous clatter occasionally overwhelmed the pianist’s recital.  Babies babbled.  Toddlers yammered.  Children rolled metal drink canisters on the floor, tossed programs and played with the springs in creaky theater seats.  Minors weren’t the only offenders.  A few older people hacked and wheezed as if they were in their death throes.  

Zhu rose above the tumult as she played four Frédéric Chopin compositions as well as selections by Claude Debussy, Sergei Rachmaninoff and Nikolai Kapustin.  Her affinity for Chopin’s deliciously morbid laments is unexpected in a bright young talent who has probably never misbehaved in a concert hall.