Original image by There Stands the Glass.
I had ninety minutes to slap together a 400-word concert review of Deftones’ performance at a Kansas City casino in 2011. Assigned a general admission pass by the daily newspaper, I had no choice but to immerse myself in the ecstatic ebb and flow of the pit.
The debilitating volume and turbulent physicality rendered me insensible. My assessment was almost certainly incoherent. Deftones’ headlining appearance at the T-Mobile Center on Wednesday, September 17, made me realize I needn’t have felt inadequate about the tight deadline 14 years ago.
The ephemeral sludge and psychedelic crunch of Deftones’ performances is rooted in vibe rather than intellect. Much as it did for 1,200 fans in 2011, the band induced 12,000 people into a narcoleptic trance last night. (My seat in a remote corner of the arena was comped.)
I had a similar experience at Dia de los Deftones in San Diego in 2018. My memory of sets by Future, Ho99o9 and Doja Cat is more distinct than my recollection of Deftones’ metallic impressionism.
The punks in Idles don’t share Deftones’ murkiness. In addition to explicitly addressing immigration and fascism, front man Joe Talbot led the crowd in a chant of “Free Palestine.” Here’s a clip of "Gift Horse".
If Idles embodies the spirit of ‘76, The Barbarians of California represent the crassness of television beer commercials. The magnificence of the band’s stoner rock riffs was negated by the cheesiness of vocalist Aaron Bruno. Most everyone lapped it up.