Opera Review: UMKC Conservatory’s Die Zauberflöte at White Recital Hall

Original image of the temple “boys” at curtain call by There Stands the Glass.

Five years ago, I didn’t know the difference between Puccini and Verdi. I discovered I’ve since become an odious opera elitist at White Recital Hall on Thursday, November 16. The alterations made to Wolfgang Amadeus Mozart’s Die Zauberflöte in a UMKC Conservatory production outraged me. Yet even when condensed, sanitized and slightly dumbed down, Mozart’s genius still shines brightly. The orchestra conducted by Nicholas Perry Clark performed commendably. Among the solid cast, I most enjoyed Angelo Silva as Tamino, the three attendants of the Queen of the Night and the three “boys” of the temple. I paid $25 to sit amid the audience of about 250. The production streams here. My sniveling reservations aside, it’s well worth watching.