Bennie Maupin

June 2022 Recap: A Monthly Exercise in Critical Transparency

Screenshot of Craig Colclough in the trailer of the Metropolitan Opera’s 2022 production of Rigoletto by There Stands the Glass.

Top Ten Albums (Released in June)

1. Carolin Widmann- L’Aurore

A new day for old music.

2. Tim Bernardes- Mil Coisas Invisíveis

Brazilian beauty.

3. Elizabeth King- I Got a Love

How I got over.

4. Chris Brown- Breezy

Bad man. Good R&B.

5. Bennie Maupin and Adam Rudolph- Symphonic Tone Poem for Brother Yusef

My review.

6. Matthew Shipp Trio- World Construct

Sturdy foundation.

7. Ensemble Intercontemporain- Reich/Richter

A minimalist marvel.

8. Lisa Moore- Frederic Rzewski: No Place to Go But Around

A loving tribute to the late composer.

9. Drake- Honestly, Nevermind

Gloriously ridiculous.

10. Lívia Nestrovski and Henrique Eisenmann- Nação

My review.


Top Ten Songs (Released in June)

1. Jimetta Rose & The Voices of Creation- "Let the Sunshine In"

Glowing.

2. Twïns- "Something about Alice Coltrane"

Spiritual eternal.

3. Katalyst, Adrian Younge and Ali Shaheed Muhammed- "Juneteenth"

Deep groove.

4. Sudan Archives and Neneh Cherry- "Heart"

Analog remix.

5. Jungle- "Good Times"

Aptly titled.

6. DJ Snake- "Disco Maghreb"

The sound of young Hamtramck.

7. Cazzu- "Nena Trampa"

Cheat sheet.

8. Beyoncé- "Break My Soul"

“Release your wiggle!”

9. Pharrell Williams, 21 Savage and Tyler, The Creator- "Cash In Cash Out"

Paid in full.

10. SleazyWorld Go featuring Offset- "Step 1"

Kansas City star.


Top Ten Performances of June

1. Nduduzo Makhathini at the Blue Room

My review.

2. Angela Winbush at the Juneteenth KC festival

My review.

3. Bill Summers and Forward Back at Dunbar Park

My review.

4. John Waite at Ranch Mart Shopping Center

My Instagram clip.

5. Blind Mississippi Morris at the Gladstone Summertime Bluesfest

My Instagram clip.

6. Tre Mutava at Overland Park’s Clock Tower Plaza

My Instagram clip.

7. The Kansas City Symphony’s Mobile Music Box at Meadowbrook Park

My Instagram clip.

8. Jason Vivone and the Billy Bats at Theis Park

My Instagram clip.

9. Brian Scarborough Quintet at Sar-Ko-Par Park

My Instagram clip.

10. Mark Farina at Westwood Park

My Instagram clip.


Last month’s survey is here.

Album Reviews: Anteloper’s Pink Dolphins, I Am’s Beyond and Bennie Maupin and Adam Nussbaum’s Symphonic Tone Poem for Brother Yusef

Three sets of improvisational duos go out… way out, on new albums.  Jaime Branch has injected vital punk energy into the improvised music scene during the past several years.  The trumpeter puts her healthy irreverence to good use in Anteloper, a collaboration with percussionist Jason Nazary.  Thanks to the deft production of Jeff Parker, the wavy Pink Dolphins might even appeal to fans of Animal Collective.

Reading Tony Whyton’s Beyond a Love Supreme: John Coltrane and the Legacy of an Album last week put me in the proper headspace for I Am’s Beyond.  Saxophonist Isaiah Collier and drummer Michael Shekwoaga Ode channel the polarizing 1967 album Interstellar Space with uncompromising ferocity.

Skronky but slightly less confrontational, Symphonic Tone Poem for Brother Yusef features the veteran innovators Bennie Maupin and Adam Nussbaum.  Mixing electronics with organic sounds, the saxophonist and percussionist pay tribute to the late Yusef Lateef.  Pink Dolphins and Beyond are very good, but the old guys show the kids how it’s done in their exceptional ancient-to-the-future collaboration.

Album Review: Lee Morgan- The Complete Live at the Lighthouse

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My admiration of excess is even more pronounced than my fascination with confrontation.  That’s why I’m all in on The Complete Live at the Lighthouse, the seven-hour and 31-minute expansion of the Lee Morgan album originally released soon after it was recorded at the California club in 1970. The daunting length is a documentation of all 12 sets the quartet of Morgan (trumpet), Bennie Maupin (reeds), Harold Mabern (piano), Jymie Merritt (bass) and Mickey Roker (drums) played in the intimate room during a labor-intensive three-day stint. The stylistic tension between the musicians is conspicuous.  While his band mates seem content to rehash the hard bop that was quickly becoming passé, Maupin is eager to expand on the innovations of John Coltrane and Eric Dolphy.  The Complete Live at the Lighthouse, consequently, is a fascinating glimpse of music at a fateful breaking point.