Black Country New Road

April 2025 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Houston Grand Opera’s production of Richard Wagner’s Tannhäuser by There Stands the Glass.

The Top Ten Albums of April 2025

1. Sumac and Moor Mother- The Film
End times.

2. Sherelle- With a Vengeance
British footwork.

3. Leif Ove Andsnes and the Norwegian Soloists’ Choir- Liszt: Via Crucis & Solo Piano Works
Sometimes it causes me to tremble.

4. Gerald Clayton- Ones & Twos
My review.

5. Salif Keita- So Kono
Hushed beauty.

6. Black Country, New Road- Forever Howlong
My review.

7. Marilyn Crispell, Thommy Andersson and Michala Østergaard-Nielsen- The Cave
Improvisation worthy of Plato.

8. Willie Nelson- Oh What a Beautiful World
Willie on Rodney.

9. The Mars Volta- Lucro sucio; Los ojos del vacio
My review.

10. Tucker Wetmore- What Not To
My review.


The Top Three Reissues, Repackagings and Reimaginings of April 2025

1. John Hicks- Steadfast
Forty-year-old solo piano.

2. Sun Ra- Nuits de la Fondation Maeght
The space bop motherlode.

3. Stanley Cowell- Musa: Ancestral Streams
A 1974 classic reemerges.


The Top Ten Songs of April 2025

1. Emma-Jean Thackray- "Thank You for the Day"
Blessings abound.

2. Sault- “L.U.”
Gospel truth.

3. Bon Iver featuring Dijon and Flock of Dimes- "Day One"
We miss the old Kanye.

4. Lorde- "What Was That"
Royal.

5. Carin León, Diego El Cigala and Chanela Clicka- "Te Quiero Y Me Miento"
Intercontinental fusion.

6. Christian Nodal- "Amé"
Love.

7. Mark Morton featuring Nikki Lane- “Down No More”
Straight and narrow.

8. Viagra Boys- "You N33d Me"
Needy.

9. Jane Remover featuring Danny Brown- "Psychoboost"
Hyperpop fantasia.

10. Mekons- "Before the Ice Age"
Warmth.


The Top Ten Performances of April 2025

1. Jake Heggie’s master class at Grant Recital Hall
My review.

2. Joseph Genualdi and Sean Chen at White Recital Hall
My review.

3. Les Arts Florissants with Théotime Langlois de Swarte at the Folly Theater
My Instagram clip.

4. Lauren Auge and Jacob Hofeling at St. Andrew’s Episcopal Church
My Instagram clip.

5. Electronic Music Midwest Festival at Kansas City Kansas Community College
My Instagram clips: day one and day two.

6. Helen Sung with Bach Aria Soloists at the Folly Theater
My review.

7. Opus 76 at Shawnee Mission South High School
My Instagram clip.

8. The Extemporaneous Music and Arts Society’s “3 Expressions of Light and Sound” at Charlotte Street Foundation
My Instagram clip.

9. Bob Bowman at Westport Coffee House
My Instagram clip.

10. Aaron Sizemore, Craig Akin and Taylor Babb at the Music House
My Instagram clip.



The previous monthly recap is here.

Album Review: Black Country, New Road- Forever Howlong

I can’t remember exactly when I began to loathe chamber-rock. I’m inclined to blame it on The Decemberists. The 2011 release of the Portland band’s chart-topping album The King Is Dead seems to coincide with my rejection of precious art-pop. 

Forever Howlong is precisely the sort of intricately-arranged, literary-minded and unapologetically pretentious nonsense I disdain. So why am I infatuated with Black Country, New Road’s new album? Two elements explain my hypocrisy.

Forever Howlong frequently references the art music I currently enjoy. I appreciate the nods to the likes of Alban Berg, Franz Schubert and Kurt Weill. And there’s plenty of the prog that remains my guilty pleasure. The wonkiest aspects of Peter Gabriel-era Genesis, King Crimson and Van der Graaf Generator echo throughout the album.

Secondly, I experience Forever Howlong’s songs as bits of soundtracks to my favorite British novels by Henry Fielding, Thomas Hardy, Iris Murdoch and Ian McEwan. Still, writing these words makes me queasy. I will likely have repudiated this out-of-character endorsement come December.