April 2025 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Houston Grand Opera’s production of Richard Wagner’s Tannhäuser by There Stands the Glass.

The Top Ten Albums of April 2025

1. Sumac and Moor Mother- The Film
End times.

2. Sherelle- With a Vengeance
British footwork.

3. Leif Ove Andsnes and the Norwegian Soloists’ Choir- Liszt: Via Crucis & Solo Piano Works
Sometimes it causes me to tremble.

4. Gerald Clayton- Ones & Twos
My review.

5. Salif Keita- So Kono
Hushed beauty.

6. Black Country, New Road- Forever Howlong
My review.

7. Marilyn Crispell, Thommy Andersson and Michala Østergaard-Nielsen- The Cave
Improvisation worthy of Plato.

8. Willie Nelson- Oh What a Beautiful World
Willie on Rodney.

9. The Mars Volta- Lucro sucio; Los ojos del vacio
My review.

10. Tucker Wetmore- What Not To
My review.

The Top Three Reissues, Repackagings and Reimaginings of April 2025

1. John Hicks- Steadfast
Forty-year-old solo piano.

2. Sun Ra- Nuits de la Fondation Maeght
The space bop motherlode.

3. Stanley Cowell- Musa: Ancestral Streams
A 1974 classic reemerges.

The Top Ten Songs of April 2025

1. Emma-Jean Thackray- "Thank You for the Day"
Blessings abound.

2. Sault- “L.U.”
Gospel truth.

3. Bon Iver featuring Dijon and Flock of Dimes- "Day One"
We miss the old Kanye.

4. Lorde- "What Was That"
Royal.

5. Carin León, Diego El Cigala and Chanela Clicka- "Te Quiero Y Me Miento"
Intercontinental fusion.

6. Christian Nodal- "Amé"
Love.

7. Mark Morton featuring Nikki Lane- “Down No More”
Straight and narrow.

8. Viagra Boys- "You N33d Me"
Needy.

9. Jane Remover featuring Danny Brown- "Psychoboost"
Hyperpop fantasia.

10. Mekons- "Before the Ice Age"
Warmth.

The Top Ten Performances of April 2025

1. Jake Heggie’s master class at Grant Recital Hall
My review.

2. Joseph Genualdi and Sean Chen at White Recital Hall
My review.

3. Les Arts Florissants with Théotime Langlois de Swarte at the Folly Theater
My Instagram clip.

4. Lauren Auge and Jacob Hofeling at St. Andrew’s Episcopal Church
My Instagram clip.

5. Electronic Music Midwest Festival at Kansas City Kansas Community College
My Instagram clips: day one and day two.

6. Helen Sung with Bach Aria Soloists at the Folly Theater
My review.

7. Opus 76 at Shawnee Mission South High School
My Instagram clip.

8. The Extemporaneous Music and Arts Society’s “3 Expressions of Light and Sound” at Charlotte Street Foundation
My Instagram clip.

9. Bob Bowman at Westport Coffee House
My Instagram clip.

10. Aaron Sizemore, Craig Akin and Taylor Babb at the Music House
My Instagram clip.

The previous monthly recap is here.

March 2023 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Deutsche Oper Berlin’s production of Richard Strauss’ Arabella by There Stands the Glass.

Top Ten Albums of March

1. JPEGMAFIA and Danny Brown- Scaring the Hoes

Noise devolution.

2. Morgan Wallen- One Thing at a Time

My review.

3. Cécile McLorin Salvant- Mélusine

Peculiar chansons.

4. Eddie Chacon- Sundown

Quiet storm.

5. London Brew- London Brew

Restorative.

6. Slowthai- Ugly

Life is hard.

7. Willie Nelson- I Don’t Know a Thing About Love: The Songs of Harlan Howard

Nor do I.

8. Laura Schuler Quartet- Sueños Paralelos

My review.

9. MSPAINT- Post-American

Punk progression.

10. Wadada Leo Smith- Fire Illuminations

Conflagration.

Top Ten Songs of March

1. Shay Lia- "Takutá'"

Hopscotch.

2. RP Boo- "B.O.T.O."

Fancy footwork.

3. Baaba Maal- "Freak Out"

Chic.

4. Kassa Overall featuring Nick Hakim and Theo Croker- "Make My Way Back Home"

Prodigal.

5. Meshell Ndegeocello- "Virgo"

Back to the stars.

6. Moor Mother- "We Got the Jazz"

From strength to strength.

7. Las Marias- "Ismael"

Spring has sprung.

8. EST Gee- “Pray You Die in Surgery”

Cursed.

9. Sleaford Mods featuring Perry Farrell- "So Trendy"

Shouty.

10. Atmosphere- "Bigger Picture"

The relentless march of time.

Top Ten Concerts of March

1. Ghais Guevara, Tricky Youth, Student 1, Midwestern, Tabby, Defo, Laaee Uzumak and Young Mvchetes at Farewell and Howdy

My review.

2. Boston Camerata’s “Dido & Aeneas” at Community Christian Church

My Instagram photo.

3. Bill Frisell at 1900 Building

My impressions.

4. Artemis at the Gem Theater

My review.

5. Austin Plaine, Katie Toupin and the Pinkerton Raid at the Monarch (Louisville)

My Instagram clip.

6. CRAG Quartet, Joshua Gerowitz with Vinny Golia and the Extemporaneous Music and Arts Society of Kansas City at the Bunker Center for the Arts

My review.

7. Cynthia van Roden at the Market at Meadowbrook

My Instagram photo.

8. Te Deum’s “Solemn Vespers” at St. Mary’s Episcopal Church

My Instagram photo.

9. Electronic Music Midwest Festival at Kansas City Kansas Community College (concerts one, five and eight)

My review.

10. Kristina Gaddy, Nadia Ramlagan and Blakeley Burger at Carmichael’s Bookstore (Louisville)

My Instagram clip.

The previous monthly survey is here.

Festival Review: Electronic Music Midwest

Original image by There Stands the Glass.

Free admission.  Set changes of two minutes or less.  Superlative surround sound.  Attentive audiences.  Comfortable seating.  There was a lot to like about the Electronic Music Midwest’s festival at Kansas City Kansas Community College on March 10 and 11.

I treated the event as a low-key approximation of the post-genre Big Ears Festival as I attended the first, fifth and eighth of the festival’s eight concerts.  The absence of star power and brief sets were the only liabilities.  

I was previously familiar with only a couple of the performers.  And there wasn’t much time to get to know them.  Most outings were between five and 15 minutes.

My understanding is that all of the festival’s participants are affiliated with academic institutions.  Consequently, the industrial rock was congenial, the beats were civil, the screaming was artful and the sound collages were crisp.

The genteel decorum meant that everything presented was quite good, but few offerings felt revolutionary.  The deployment of motion-activated gametrack controllers by Xinglan Deng and Sunhuimei Xia in separate demonstrations were wondrous exceptions.  

I also admired Heather Pryse’s fusion of flute, voice and electronics.  Nathan Krueger’s rendering of Ed Martin’s hilarious aria “The Future” was similarly striking. Alas, the festival will be held in the Chicago area next year.  It’s tempting.