Squarepusher

April 2026 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Finnish National Opera’s production of Mark-Anthony Turnage’s Festen by There Stands the Glass.

The Top Ten Albums of April 2026
1. Ella Langley- Dandelion
Somethin’ simple.

2. Dave Douglas- Transcend
Above and beyond.

3. Marta Sanchez- For the Space You Left
Treated piano.

4. Thundercat- Distracted
Atomic dog.

5. Squarepusher- Kammerkonzert
The chamber music of tomorrow.

6. Mike and Earl Sweatshirt- Pompeii//Utility
Blurrier and slurrier.

7. Isata Kanneh-Mason- Prokofiev: Piano Concerto No. 3
A delectable souvenir of a recital I caught in 2024.

8. Dan Penn- Smoke Filled Room
My review.

9. sunn O)))- sunn O)))
Zero tolerance for silence.

10. My New Band Believe- My New Band Believe
My review.


The Top Ten Reissues and Reimaginings of April 2026
1. Rosalía- Lux: Complete Works
Expanded version of the 2025 stunner.

2. Jimmy Scott- Falling In Love Is Wonderful
Killing me softly.

3. Kronos Quartet- Glorious Mahalia
How she got over.


The Top Ten Songs of April 2026
1. Nduduzo Makhathini- “Kuzodlula”
Blessed quietude.

2. Beth Orton- “Waiting”
Wallowing in misery.

3. Karol G and Greg Gonzalez- "Después de ti"
After you.

4. Céline Dion- “Dansons”
Jetlag is doing funny things to me.

5. Baalti and Lapgan- “Romance”
Remembering Asha Bhosle.

6. aja monet featuring Mick Jenkins and Vic Mensa- “melting clocks”
Timeless.

7. That Mexican OT- “Still Virgil”
Victory lap.

8. Quiet Light- “Self Tape”
Blue Monday.

9. Bruce Hornsby featuring Blake Mills and Bob Weir- “Might as Well Be Me, Florinda”
My review.

10. Matthew Stevens and Josh Johnson- “Hazy”
The apogee of the sound of the moment.



The Top Ten Performances of April 2026
Rapturous life events involving extensive travel precluded me from attending ten performances in April.



The previous monthly recap is here.

Album Review: Attacca Quartet- Real Life

Original image of Summerfest concert at Atonement Lutheran Church by There Stands the Glass.

Original image of Summerfest concert at Atonement Lutheran Church by There Stands the Glass.

I was among the youngest of 60 devotees of chamber music at Atonement Lutheran Church for the final concert of the annual Summerfest initiative on Sunday, July 11. A rendition of Daniel Bernard Roumain’s String Quartet No. 5, Rosa Parks was among the vital works performed. The tiny audience was dominated by geriatric- albeit admirably enlightened- nonconformists. In naming its 2019 collaboration with Caroline Shaw my #9 album of the year, I verified Attacca Quartet’s exceptional ability to resonate with relative newcomers to the classical tradition. Its latest release Real Life highlights the work of electronic-leaning composers including Flying Lotus and Tokimonsta. Only the tacky opening track “Electric Pow Wow Drum” sounds contrived. Squarepusher’s distinctive contribution “Xetaka 1” is an auspicious culture clash. The album’s best track, a relatively conventional treatment of Anne Müller’s “Drifting Circles,' subtly fiddles with studio dynamics. Classical music will limp along with or without the help of Attacca Quartet. Even so, Real Life is further proof that the artistic and social constructs preventing timid people from enjoying the style should be ignored.