Summerfest

July 2025 Recap: A Monthly Exercise in Critical Transparency

Screenshot of the trailer for Glyndebourne’s production of Giuseppe Verdi’s Falstaff by There Stands the Glass.

The Top Ten Albums of July 2025
1. Clipse- Let God Sort Em Out
Culturally inappropriate.

2. Tyler, The Creator- Don’t Tap the Glass
Provocative.

3. Dom Salvador, Adrian Younge and Ali Shaheed Muhammad- JID024
Miraculous samba.

4. Charlie Hunter and Ella Feingold- Different Strokes for Different Folks
My kind of party.

5. Dino Saluzzi- El Viejo Caminante
Heartbreaking bandoneon.

6. Teddy Abrams- Preludes
A new form of pianism.

7. Myke Towers- Island Boyz
Endless summer.

8. Burna Boy- No Sign of Weakness
Muscular pop.

9. Theon Cross- Affirmations (Live at Blue Note New York)
Hilariously loud.

10. Freddie Gibbs and the Alchemist- Alfredo 2
Old school.


The Top Three Reissues and Reimaginings of July 2025
1. Nick Drake- The Making of Five Leaves Left
Deep in the weeds.

2. Cecil Taylor and Tony Oxley- Flashing Spirits
Live in 1988.

3. Paul Weller- Find El Dorado
Covers of premium obscurities.


The Top Ten Songs of July 2025
1. MC Yallah- “Tunyedde”
Straight outta Kampala.

2. John Glacier- “Fly With Me”
Moonshot.

3. Cécile McLorin Salvant- "Oh Snap"
Kitchen sink.

4. Syd- “Die for This”
Alive.

5. Olivia Dean- “Lady Lady”
Groovy groovy.

6. Jorja Smith- "With You"
Bliss.

7. Che- “Ba$$”
Molly anthem.

8. DJ Snake featuring J Balvin- “Noventa”
Siren song.

9. Pino Palladino and Blake Mills featuring Chris Dave- "Taka"
A-team.

10. Trio of Bloom- "Queen King"
Nels Cline, Craig Taborn and Marcus Gilmore.


The Top Ten Performances of July 2025
1. Woody Guthrie Folk Festival (Okemah)
My notes.

2. Steve Cardenas, Forest Stewart and Brian Steever at Westport Coffee House
My Instagram clip.

3. Elvis Costello & The Imposters at the Uptown Theater
My Instagram clip.

4. Crystal Gayle at Ameristar Casino
My review.

5. Nick Hmeljak, Henry Scamurra, Isaiah Petrie, Jordan Faught and Jaylen Ward at Westport Coffee House
My review.

6. Made in France at the Market at Meadowbrook
My Instagram snapshot.

7. Summerfest at St. Mary’s Episcopal Church
My notes.

8. Stan Kessler, Aaron Sizemore, Craig Akin and Taylor Babb at the Music House
My Instagram snapshot.

9. Michael August and Nell Levin at the Woody Guthrie Center (Tulsa)
Instagram snapshot.

10. Matt Hopper, Gerald Spaits and Todd Strait at Green Lady Lounge
My Instagram snapshot.


The previous monthly recap is here.

Get Me to the Church in Time

Original image by There Stands the Glass.

Never in my history of live music attendance had I bungled a date or venue. In fact, I’ve tended to show up early for each of the more than one hundred performances I’ve caught every year since 1995 (pandemic period excepted). That pristine record came to an end last weekend.

I was giddy upon learning of a local production of Richard Wagner’s “Die Walküre.” A full performance of a Wagner opera- even in a semi-staged version- hasn’t transpired in Kansas City in years. I packed a libretto from my library of opera literature and a cooler full of snacks and cold drinks. Including two intermissions, “Die Walküre” lasts six hours.

I knew something was wrong when the parking lot at St. Mary’s Episcopal Church was almost empty on Sunday, July 27. Musicians at the entrance told me I was 75 minutes early. I was further puzzled because the music being rehearsed clearly wasn’t the sturm und drang of Wagner. 

An event organizer explained that “Die Walküre” was performed at the church the previous day. He kindly invited me to stick around for Summerfest’s final recital of the season.

Works by Guillaume Connesson, Charles Koechlin, Elizabeth Brown and Bohuslav Martinů were rendered by prominent Kansas City classical musicians. Although I was rattled by my uncharacteristic cognitive slip, I was glad to be among an audience of more than 100 hear to the esoteric compositions.

July 2021 Recap: A Monthly Exercise in Critical Transparency

Screenshot of Bahar Pars in the trailer for En man som heter Ove.

Screenshot of Bahar Pars in the trailer for En man som heter Ove.

Top Ten Albums (released in July, not including July 30 titles)

1. Lise Davidsen and the Bergen Philharmonic Orchestra- Sibelius: Luonnotar, Op. 70 & Other Orchestral Works

Finnish fever dreams.

2. Cochemea- Vol. II: Baca Sewa

My review.

3. Rey Sapienz and the Congo Technical Ensemble- Na Zala Zala

African footwork.

4. Les Filles de Illighadad- At Pioneer Works

Tuareg trance.

5. Rodney Crowell- Triage

The truth hurts.

6. Maya Beiser- Maya Beiser x Philip Glass

Transparent cello.

7. Attacca Quartet- Real Life

My review.

8. Drakeo the Ruler- Ain't That the Truth

Truth to tell.

9. Alasdair Roberts and Völvur- The Old Fabled River

Scottish/Norwegian freak-folk.

10. Leon Bridges- Gold-Diggers Sound

Bridges’ best album by a country mile.


Top Ten Songs (released in July)

1. Little Simz- “I Love You, I Hate You”

Decisive.

2. IDK with the Neptunes, Swae Lee and Rico Nasty- "Keto"

On sight.

3. Snow Tha Product- "Que Oso"

Agua bendita.

4. Big30 featuring Yo Gotti- "Too Official"

Outlawed.

5. Lolo Zouaï- “Galipette”

Candy store.

6. Willow featuring Cherry Glazerr- “¡Breakout”

Ch-ch-ch-ch-cherry bomb!

7. Kevin Abstract featuring Snot and Slowthai- “Slugger”

“On my Lauryn Hill ish.”

8. Tinashe- “Bouncin’”

Elastic.

9. Billie Eilish- “NDA”

Creep.

10. Lorde- “Stoned at the Nail Salon”

Pure heroine.


Top Ten Concerts (attended in July)

1. Pistol Pete- recordBar

The rapper was accompanied by the rock band Various Blonde.

2. Te Deum- St. Mary's Episcopal Church

Latin vespers.

3. Eddie Moore, Ryan Lee and Zach Morrow- Charlotte Street Foundation

My review will be published at Plastic Sax on August 1.

4. Kyle Hutchins, Aaron Osborne, Seth Davis and Evan Verploegh- Charlotte Street Foundation

My review.

5. Summerfest- Atonement Lutheran Church

My notes.

6. Trinity Jazz Ensemble- Rolling Hills Church

My review.

7. Jackie Myers, Matt Hopper and Ben Tervort- Market at Meadowbrook

Fresh readings of jazz standards.

8. Granger Smith- KC Live 

Yee yee!

9. Rod Fleeman, Gerald Spaits and Ray DeMarchi- Green Lady Lounge

Spare the Rod, spoil the month.

10. Big Spin- 1400 Union

Explosive Fourth of July punk party.


Top Ten Films (viewed for the first time in July)

1. Z (1969)

Grotesque political thuggery in Greece.

2. The Steel Helmet (1951)

War is hell.

3. Der blau Engel/The Blue Angel (1930)

L-o-l-a, Lola.

4. Fruitvale Station (2013)

Oscar Grant III.

5. En man som heter Ove/A Man Called Ove (2015)

Saab story.

6. Journey into Fear (1943)

WWII noir.

7. Summer of Soul (2021)

So much talking.

8. Mahler (1974)

Wut.

9. The Wrath of God (1972)

Proto-Tarantino bloodbath.

10. The Hunt (2020)

Deplorable!


June’s recap and links to previous monthly surveys are here.

Album Review: Attacca Quartet- Real Life

Original image of Summerfest concert at Atonement Lutheran Church by There Stands the Glass.

Original image of Summerfest concert at Atonement Lutheran Church by There Stands the Glass.

I was among the youngest of 60 devotees of chamber music at Atonement Lutheran Church for the final concert of the annual Summerfest initiative on Sunday, July 11. A rendition of Daniel Bernard Roumain’s String Quartet No. 5, Rosa Parks was among the vital works performed. The tiny audience was dominated by geriatric- albeit admirably enlightened- nonconformists. In naming its 2019 collaboration with Caroline Shaw my #9 album of the year, I verified Attacca Quartet’s exceptional ability to resonate with relative newcomers to the classical tradition. Its latest release Real Life highlights the work of electronic-leaning composers including Flying Lotus and Tokimonsta. Only the tacky opening track “Electric Pow Wow Drum” sounds contrived. Squarepusher’s distinctive contribution “Xetaka 1” is an auspicious culture clash. The album’s best track, a relatively conventional treatment of Anne Müller’s “Drifting Circles,' subtly fiddles with studio dynamics. Classical music will limp along with or without the help of Attacca Quartet. Even so, Real Life is further proof that the artistic and social constructs preventing timid people from enjoying the style should be ignored.