The Top Reissues and Reimaginings of 2025

A bundle of cassettes containing unreleased Bruce Springsteen studio recordings was one of my most cherished possessions in the 1980s. Much of that material was officially released this year. Springsteen’s buried treasures meant more to me decades ago, but the following ranking reflects the sustained value of the illicit cache. Hours of obscure Sun Ra sounds also saw the light of day in 2025. I acknowledge that embarrassment of riches with only one listing. Caveat: I have yet to tackle new collections of rarities by icons including Anthony Braxton, Bob Dylan, Rahsaan Roland Kirk and the Who.

1. Bruce Springsteen- Tracks II: The Lost Albums
Perfect world.

2. Bruce Springsteen- Nebraska ‘82: Expanded Edition
Reason to believe.

3. Moor Mother- Analog Fluids of Sonic Black Holes
An orchestral reimagining of her 2019 album.

4. Anat Fort- The Dreamworld of Paul Motian
The pianist with Steve Cardenas, Garry Wang and Matt Wilson.

5. Woody Guthrie- Woody at Home, Vol. 1 and 2
My review..

6. James Newton Quartet- Live in Willisau Switzerland 1983
The flautist with Geri Allen, Anthony Cox and Andrew Cyrille.

7. Larry June, 2 Chainz and the Alchemist- Life Is Beautiful: Chopped But Not Slopped
A lost art.

8. Nick Drake- The Making of Five Leaves Left
Time has told me.

9. Makaya McCraven- Off the Record!
His four 2025 EPs compiled.

10. Joni Mitchell- Joni's Jazz
One side now.

11. Cecil Taylor and Tony Oxley- Flashing Spirits
Spectral sounds from 1988.

12. Irène Schweizer, Rüdiger Carl, Johnny Dyani and Han Bennink- Irène's Hot Four
Improvisational madness from 1981.

13. Charles Mingus- Mingus in Argentina: The Buenos Aires Concerts
A glorious mess from 1977.

14. Sun Ra- Uncharted Passages: New York Piano Soliloquies 1977-79
Solo.

15. Sviatoslav Richter- The Lost Tapes: Beethoven: Sonatas Nos. 18, 27, 28 & 31
My review.

16. Peggy Lee- Mirrors: Expanded Edition
Existential art songs.

17. Kassa Overall- CREAM
My review.

18. Tedeschi Trucks Band and Leon Russell Present- Mad Dogs and Englishmen Revisited: Live at Lockn’
Feelin’ alright.

19. Willie Nelson- Oh What a Beautiful World
Willie on Rodney.

20. Art Pepper- Geneva 1980
Bird lived.

21. Rima Khcheich- Ya Man Itha: Tribute to Fouad Abdel Maheed
The Lebanese vocalist interprets the Egyptian composer.

22. Don Letts- The Rebel Dread at Echo Beach
Reggae party.

23. Branford Marsalis Quartet- Belonging
A fresh take on Keith Jarrett’s 1974 album.

24. Willie Nelson- Workin’ Man: Willie Sings Merle
Swinging doors.

25. Sister Irene O’Connor- Fire of God’s Love
Zany but persuasive gospel.

Album Review: Sviatoslav Richter- The Lost Tapes: Beethoven: Sonatas Nos. 18, 27, 28 & 31

The nice folks from Supplemental Sound may have thought I was kidding when I told them last month that solo piano has become my music of choice. Subjected to an iffy neo-soul performance on a nearby stage at a disappointing festival, I meant what I was saying at that moment.

Taking in more than a dozen transcendent recitals by elite pianists in recent years expanded my ears. No less importantly, reading Bruno Monsaingeon’s Sviatoslav Richter: Notebooks and Conversations in 2023 personalized the music for me. (The book is a companion to a far less interesting documentary.)

Deutsche Grammophon added seventy-two minutes to the late Russian pianist’s unfathomably massive discography last month.The Lost Tapes: Beethoven: Sonatas Nos. 18, 27, 28 & 31 consists of previously unreleased recordings from two 1965 concerts in Europe.

These performances aren’t referenced in Notebooks and Conversations, but the notoriously prickly Richter might have made self-lacerating comments about his efforts. What did he know? Richter’s bold translations of Beethoven are precisely what I need to hear right now.

"I Hate Jazz"

Original image by There Stands the Glass.

A nurse asked an anesthetist about her trip to New Orleans as I lay in a hospital bed with a tube in my nose and an IV in my arm last week.

“How was Jazz Fest?”
“We had so much fun!”
“Did you listen to a lot of jazz?”
“No. I hate jazz!”
“I hate jazz too!”

My heart broke as the coworkers bonded over their mutual loathing of music I love. Knowing we were within shouting distance of the site of Charlie Parker’s elementary school made me wish I was slated to receive morphine rather than propofol during my minor medical procedure.

I chatted with the otherwise charming anesthetist about the New Orleans Jazz & Heritage Festival upon awakening. Her favorite band was billed in the topline of this year’s event. Allowing myself to be upset about the commonplace dismissal of an entire genre would be hypocritical.

Until recently, I’d been indifferent to The Modern Jazz Quartet. Hearing The John Lewis Piano for the first time in April lifted the veil. The music by Martha Argerich, Sviatoslav Richter and András Schiff I’ve mainlined in the past couple years allow me to finally appreciate the classical inclinations of MJQ leader John Lewis.

An approach that previously struck me as precious now seems wonderfully weird on the 1958 recording. The awkward title and dodgy sound correspond with the outlandishly unconventional chamber jazz featuring members of MJQ and an aggressive cricket. My new favorite band is 73 years old.

Album Review: James McVinnie- Dreamcatcher

I occasionally use archival Sviatoslav Richter recordings as references to evaluate the interpretations of the classical pianists of today. In addition to admiring Richter’s no-nonsense approach, I’m morbidly intrigued by the ill-timed coughing and squeaking of chairs of sickly and uncomfortable Russians through the muffled audio of the Soviet-era documents. Dreamcatcher, the new solo album by keyboardist James McVinnie, comes from a universe Richter almost certainly couldn’t have imagined. In addition to the transgressive piano and organ works of living composers including Meredith Monk and Nico Muhly, Dreamcatcher is notable for excruciatingly intense sound fields that are damaging to both my playback mechanisms and my mind. When I wrote about my recent fixation on the sounds of organs last month, I had no idea I’d soon find it necessary to wrap my head around landscapes like this. It’s entirely possible I’ll come to reject these inside-the-instrument recordings, but until then, I can’t stop listening.