The Top EPs of 2025

Only because the rollout of his recent work was so aggravating, I disqualified Makaya McCraven for this exercise. I dispensed with the four excellent EPs released by the disruptive musician in 2025 by collectively placing them at #9 in this ranking. A few household names are interspersed with weirdos of all stripes in the following list of multi-song sets with run times of less than thirty minutes.

1. Gabriel Jacoby- gutta child
D’Angelo lives.

2. Nathy Peluso- Malportada
Dizzying salsa.

3. Prism Quartet- El Eco de un Tambor
My review.

4. Earl Sweatshirt- Live Laugh Love
More rap songs.

5. Maruja- Tir na nÓg
My review.

6. Adrian Younge- Something About April III
Orchestral MPB.

7. Billy F Gibbons- Cruising with Billy F Gibbons
Beer drinker and hell raiser.

8. Rafiq Bhatia- Each Dream, A Melting Door
Paint them black.

9. Xiao- Control
Swedish power violence.

10. Hyldon- JID023
The Brazilian octogenarian revived and refreshed.

11. Jack White- No Name Live
Back in the garage.

12. Mavi- The Pilot
Underground sobriety.

13. Himari- Himari
Child prodigy.

14. Squint- Drag
Heavier than the Gateway Arch.

15. Stakes Is High- Stakes Is High
KC punx.

16. Lizzie Berchie- Night Shift
Lush neo-soul.

17. Sam Gendel and James McAlister- Diamond Staircase
One of several new Gendel EPs.

18. RMW and Maadcxmmander- Pretty Boy Swag
This, right here.

19. Julius Asal- Siena Tapes
Ravel recital.

20. DJ Python- i was put on this earth
Downcast beats.

21. Anysia Kym- Purity
Beats by Tony Seltzer.

22. Lazerbeak- To Be Tubing
Gently down the (Doomtree) stream.

23. Matt Pryor- The Salton Sea
Adult emo.

24. Flooding- adult 1
Kansas City art-punk.

25. Vince Gill- 50 Years from Home: Secondhand Smoke
Tender mercies.

The Top Kansas City Albums and EPs of 2025

The Top Kansas City Albums of 2025

1. Mister Water Wet- Things Gone and Things Here Still
Astounding.

2. Carl Allen- Tippin’
Plastic Sax review.

3. Brittany Davis- Black Thunder
Plastic Sax review.

4. Emily D’Angelo, Ben Bliss, Yannick Nézet-Séguin and The Metropolitan Opera- Tesori: Grounded
Ben Bliss’ breakout performance.

5. Joyce DiDonato and Il Pomo d’Oro- Purcell: Dido & Aeneas
Rapturous.

6. Hermon Mehari and Tony Tixier- Soul Song
Plastic Sax review.

7. Pete Fucinaro- Little Window
Plastic Sax review.

8. Snocaps- Snocaps
Jangly.

9. Idle Heirs- Life is Violence and Life is Violence: The Instrumentals
Metallic crunch.

10. Tech N9ne- 5816 Forest
There Stands the Glass review.

11. Sandbox Percussion- Cerrone: Don’t Look Down
The only way is up.

12. Seth Andrew Davis and Krista Kopper- Popular Mechanics
Plastic Sax review.

13. Stik Figa- A Small Fortune
Buried treasure.

14. Henry Scamurra- Urban Forum
Plastic Sax review.

15. Kansas City Chorale- The Mirage Calls
Stellar suite.

16. Drew Williams- Demons Hate Fresh Air
Dank.

17. Samantha Fish- Paper Doll
Tougher than leather.

18. RMW- The King of Kansas City
There Stands the Glass review.

19. TheBabeGabe- Honeypop and Honeypop: Reloaded 
Delicious.

20. Jackie Myers- What About the Butterfly
In full flight.

21. Gerald Spaits- Sunday Night Live at Green Lady Lounge
Plastic Sax review.

22. Shiner- Beliveyoume
Truth.

23. Eddie Moore- What Makes Us
Plastic Sax review.

24. Shawn Edward Hansen- Radio Price Tower
Bartlesville ambience.

25. The Freedom Affair- The Freedom Affair
Elite retro-soul.

26. Ty Faizon- Until the War Is Won…
Rap battles.

27. Jake Wesley Rogers- In the Key of Love
In tune.

28. Brian Baggett Trio- Nothing Left to Lose; Live at Green Lady Lounge, Volume 2
Plastic Sax review.

29. Nathan Granner and the Barbary Coast Orchestra - Gordon Getty: Goodbye, Mr. Chips
Nathan Granner shines.

30. Drifter- Grigori
Doom.

The Top Kansas City EPs of 2025

1. Prism Quartet- El Eco de un Tambor
Plastic Sax review.

2. Stakes Is High- Stakes Is High
Frenetic.

3. Matt Pryor- The Salton Sea and The Salton Sea Demos
Middle-aged emo.

4. Flooding- object 1
Slowcore.

5. Lorna Kay- Lorna Kay
Burn another honky tonk down.

6. Rich the Factor- NFT Scritch 3
KC currency.

7. Greg LaFollette- Liturgical Songs, Volume One
Holy, holy, holy.

8. Flora From Kansas- Homesick
There’s no place like home.

9. The Almighty Trouble Brothers- A History of Poor Decisions
Up to no good.

10. Radkey- Victory
For the win.

Explanatory note: Each artist was limited to one release to prevent multiple recordings by the prolific Seth Davis, Greg LaFollette, Hermon Mehari, Rich Tha Factor, RMW, Stik Figa and Drew Williams from dominating the rankings. Last year’s tabulation is here.

Wednesday with Viet, Stanley and Devin

Original image of Devin Gray by There Stands the Glass.

By the end of the month I’ll have gone to 17 performances at 13 venues spread across 14 days in September. My total ticket outlay is more than $150, not including tips for musicians at jazz gigs. Gasoline and beverages up the ante further.

A time will come when I no longer go out. My priorities may shift or I might lose my hearing, health or savings. Until then, I remain an (old) man about town. This diary entry is intended to provide solace when I become financially or physically infirm. Reading this entry will console my future shut-in self.

I whined about the lineup of a highly-publicized festival with a pal earlier in the week. Once I gave myself permission to forgo attendance at the event, I became open to a multitude of alternatives. I elected to devise a miniature Kansas City festival of my own making on Wednesday.

John McEuen, the venerable leading light of the original Nitty Gritty Dirt Band, was at Knuckleheads. The fabled rockers the Brian Jonestown Massacre were at recordBar. And my friend Aaron’s new band Unity Ticket was making its debut at a house concert.

I didn’t choose any of those shows. I’m currently obsessed with Prism Quartet’s new release El Eco de Un Tambor. I opted to open my evening with its outing at Helzberg Hall with the UMKC Conservatory Wind Symphony. The in-person opening remarks from the celebrity composer Viet Cuong were an unexpected bonus that came with my $15 ticket.

I headed to Black Dolphin following the one-hour and 45-minute concert to check out Stanley Sheldon’s Rhythm Republic. A scene that includes noodle dancers and avid devotees has already developed around the new Latin jazz band led by the man who played bass on Frampton Comes Alive. The $5 cover felt like a bargain.

My trek to the Ship to catch Devin Gray included passage through toxic smoke from a hobo-instigated fire. The peripatetic drummer’s 2023 appearance in Kansas City was my  21st favorite performance that year. Enraptured by his vigorous solo set at the free show, I handed Gray a twenty dollar bill before going home entirely sated.