The Top Performances of 2025

Original image of Jake Heggie at Grant Recital Hall by There Stands the Glass.

I attended 154 concerts at 72 venues on 140 days during the first eleven months of 2025. Club-hopping accounts for the discrepancy. I didn’t attend any major festivals. The most expensive ticket I purchased cost $65. My total outlay for tickets, cover charges and tips for musicians was more than $2,500. A significant change in my personal life as well as the likelihood of my health insurance premiums tripling next year could mean that 2025 was my last hurrah as an avid concertgoer. If that proves to be the case, the fifty performances listed here are all the more meaningful.

1. Brad Mehldau and Christian McBride at Muriel Kauffman Theatre
My review.

2. Callie Day and Isaac Cates at Grant Recital Hall
My Instagram clip.

3. Wayne Hancock and IV at Live at the Divide (Bozeman)
My Instagram clips are here and here.

4. Jean-Efflam Bavouzet at the Folly Theater
My Instagram snapshot.

5. Speed, Whispers, Spine and Stakes Is High at the Ship
My Instagram clips are here and here.

6. Swamp Dogg at the Lawrence Arts Center
My review.

7. 10cc at Ranch Mart Shopping Center
My review.

8. Terence Blanchard with the E-Collective and Turtle Island String Quartet at Muriel Kauffman Theatre
My review.

9. OHMA at the 1905 (Portland)
My review.

10. Branford Marsalis Quartet at the Folly Theater
My review.

11. Jake Heggie’s master class at Grant Recital Hall
My review.

12. Angela Hewitt at the Folly Theater
My Instagram snapshot.

13. Traxman and Xanna at miniBar
My review.

14. Horsegirl, Sweeping Promises and Godcaster at the Bottleneck
My review.

15. Samara Joy at the Folly Theater
My review.

16. Nick Hmeljak, Henry Scamurra, Isaiah Petrie, Jordan Faught and Jaylen Ward at Westport Coffee House
My review.

17. Hayden Pedigo and Jens Kuross at the Ship
My review.

18. The Gesualdo Six at Village Presbyterian Church
My Instagram clip.

19. Militarie Gun, Liquid Mike and Public Opinion at the Bottleneck
My review.

20. Butch Hancock, Bonnie Whitmore, My Politic, Aaron Lee Tasjan and BJ Barham at the Woody Guthrie Festival (Okemah)
My review.

21. Dead Heat, Stakes Is High, Failure Drill and Honey at Howdy
My Instagram clip.

22. Leonidas Kavakos and Daniil Trifonov at the Folly Theater
My Instagram snapshot.

23. Isaiah Collier at the Old Church (Portland)
My review.

24. Destroyer and Jennifer Castle at the Warehouse on Broadway
My review.

25. David Chael, Danny Embrey, Gerald Spaits and Brian Steever at Green Lady Lounge
My Instagram clip.

26. Robyn Hitchcock and Emma Swift at Knuckleheads
My review.

27. Elvis Costello at the Uptown Theater
My Instagram clip.

28. Deborah Brown and George Colligan at Upcycle Piano Craft
My Instagram clip.

29. Alexander Adams, Seth Andrew Davis and Jeff Goulet with Shanté Clair and Krista Kopper at Grand Avenue Temple
My Instagram clip and snapshot.

30. Maria Ioudenitch and Navo Chamber Orchestra at Southminster Presbyterian Church
My Instagram snapshot.

31. Leonkoro String Quartet at the 1900 Building
My Instagram snapshot.

32. Kid Congo Powers and the Pink Monkey Birds and Dan Jones and the Squids at recordBar
My Instagram clip.

33. Made in France at the Market at Meadowbrook
My Instagram snapshot.

34. Lil Wayne and Tyga at the T-Mobile Center
My review.

35. Bachathon at Village Presbyterian Church
My Instagram clip.

36. The Lyric Opera of Kansas City’s “Becoming a Redwood: The Songs of Lori Laitman and Dana Gioia” at St. Mary’s Episcopal Church
My Instagram snapshot.

37. Vanessa Thomas, Kara Smith, Michael Pagán and Steve Rigazzi at the Blue Room
My Instagram clip.

38. Crystal Gayle at Ameristar Casino
My review.

39. Joseph Genualdi and Sean Chen at White Recital Hall
My review.

40. Isaac Cates, Oleta Adams and Callie Day at the Church of the Resurrection
My Instagram clip.

41. claire rousey and Gretchen Korsmo at Holocene (Portland)
My review.

42. Garibaldi Trio at the 1900 Building
My review.

43. Les Arts Florissants with Théotime Langlois de Swarte at the Folly Theater
My Instagram clip.

44. Bram and Lucy Wijnands with the Kansas City Jazz Orchestraa at the Folly Theater
My review.

45. Vine Street Rumble at Shawnee Town
My Instagram snapshot.

46. The Lyric Opera of Kansas City’s “Cruzar” with Mariachi los Camperos at Muriel Kauffman Theatre
My review.

47. David Finckel and Wu Han at the Old Church (Portland)
My Instagram snapshot.

48. Devin Gray at the Ship
My review.

49. Steve Cardenas, Forest Stewart and Brian Steever at Westport Coffee House
My Instagram clip.

50. Deftones, Idles at the Barbarians of California at the T-Mobile Center
My review.

Last year’s concert ranking is here.

“Opera” Review: The Lyric Opera of Kansas City’s Cruzar la Cara de la Luna with Mariachi los Camperos at Muriel Kauffman Theatre

Original image by There Stands the Glass.

The first perfect day of 2025 in the Kansas City area presented an ideal opportunity to collect the leaves that had accumulated over the winter and to trim foliage ahead of the spring bloom. I decided to go to the opera on Sunday, March 9, only when I unexpectedly ran out of lawn bags.

After filling the last of my remaining supply of ten bags at 1 p.m. I shrugged, took a shower, got dressed, drove to the Kauffman Center for the Performing Arts, bought the least expensive ticket ($40) amid the audience of more than 1,000 and was in my seat ten minutes ahead of the 2 p.m. start time for Lyric Opera of Kansas City’s production of “Cruzar la Cara de la Luna.”

The work debuted by Houston Opera in 2011 is billed as “the world’s first mariachi opera.” The designation is ridiculous. “Cruzar la Cara de la Luna” isn’t an opera- it’s a musical through-and-through. The good: a compelling story, a dazzling butterfly effect, the incredible playing of the 13-piece Mariachi Los Camperos and "Di mi nombre", the musical’s best song. The bad: wooden dialogue and spotty acting.

Impulsively attending “Cruzar la Cara de la Luna” was just a continuation of a live music binge. I’ve attended ten performances in the last twelve days. And there are several things I hope to catch this week. My disappointment in “Cruzar la Cara de la Luna” indicates that maybe it’s time to give it rest. Besides, I’m not even halfway through with the leaves.

The Top Kansas City Albums, EPs and Reissues of 2024

I’m looking forward to returning to Mark Manning’s Wednesday MidDay Medley program on community radio station KKFI on Wednesday, November 27. Preparing to share music on the year-end best-of show compelled me to complete the following annual exercise. The agonizing process invariably means snubbing a few friends and elevating the art of talented antagonists in Kansas City’s various music communities. The songs I’ll feature on Wednesday MidDay Medley were selected partly for concise track lengths, clean edits and in deference to the predilections of my fellow guests.

The Top 25 Kansas City Albums of 2024

1. Blackstarkids- Saturn Dayz /Heaven on Urf
High concept.

2. Betty Bryant- Lotta Livin’
Plastic Sax review.

3. Willi Carlisle- Critterland
Feral folk.

4. SleazyWorld Go- More Than a Shooter
Shots fired.

5. Logan Richardson- The Science of Superstition
Plastic Sax review.

6. Charles McPherson- Reverence
Plastic Sax review.

7. Behzod Abduraimov- Shadows of My Ancestors
Prokofiev, Ravel and Saidaminova.

8. Danielle Nicole- The Love You Bleed
Medic!

9. Ben Allison, Steve Cardenas and Ted Nash- Tell the Birds I Said Hello: The Music of Herbie Nichols
Plastic Sax review.

10. Tech N9ne- COSM
Collabos.

11. Matt Otto, Xose Miguélez and Abe Rábade- The Landscape Listens
Plastic Sax review.

12. Waxahatchee- Tigers Blood
Comfort food.

13. Rod Fleeman- Saturday Afternoon Live at Green Lady Lounge, Volume 3
Plastic Sax review.

14. Pat Metheny- MoonDial
Plastic Sax review.

15. Loidis- One Day
Electro-propulsion.

16. Scott Dean Taylor and Seth Andrew Davis- Infidels
Plastic Sax review.

17. Lyric Opera of Kansas City, The Kansas City Symphony and The Lyric Opera of Kansas City Chorus- Moravec: The Shining
Redrum.

18. Sandbox Percussion- Bloom
Banging on cans.

19. Narrative Quartet featuring Adam Larson- Trust Fund Tinder Goblins Howling at the Moon
Plastic Sax review.

20. Karrin Allyson- A Kiss for Brazil
Plastic Sax review.

21. Joey Cool- Roller Coaster
Tech mime.

22. Michael Pagán- Paganova
Plastic Sax review.

23. Zachary Barthelman and Evan Verploegh- Sound/Color
Plastic Sax review.

24. Stan Kessler- Two’s Company
Plastic Sax review.

25. Alber- Born at Sea
Plastic Sax review.

The Top Ten Kansas City EPs of 2024

1. Peter Schlamb- Pliable Consciousness
Plastic Sax review.

2. Krystle Warren & The Academy- Extended Play
There Stands the Glass review.

3. Boldy James and Conductor Williams- Across the Tracks
Crazy train.

4. Midwestern- Reflections
There Stands the Glass review.

5. Conductor Williams- Conductor We Have a Problem, Pt. 3
Off the rails.

6. Burning Bush- Demo 2024
 Flames of fire.

7. Jorge Arana Trio- Merciélago
Dark shadows.

8. Drew Williams- Wobble
Plastic Sax review.

9. Rich the Factor- Souped Up Sofa
KC’s the town.

10. Treanne- 20/20
Focused.

The Top Five Kansas City Reissues of 2024

1. Charlie Parker- Bird in Kansas City
Plastic Sax review.

2. Coalesce- Live at BBC’s Maida Vale Studios
Furious 2009 session.

3. The Get Up Kids- Something to Write Home About: 25th Anniversary Deluxe Edition
Red letter days.

4. Jennifer Knapp- Kansas 25
A fresh rendering of the 1998 CCM classic.

5. Kevin Mahogany- Gem Theater Live
Plastic Sax review.

Last year’s list is here.

March 2024 Recap: A Monthly Exercise in Critical Transparency

Original image of Kevin Miller and Lawrence Brownlee by There Stands the Glass.

The Top Ten Albums of March

1. Jlin- Akoma
Fancy footwork.

2. Tierra Whack- World Wide Whack
(Frank) Oceans of fun.

3. Véronique Gens- Paysage
French soiree.

3. Moor Mother- The Great Bailout
Overdue.

5. Norah Jones- Visions
A beautiful mirage.

6. Amirtha Kidambi- New Monuments
Prog-jazz.

7. Ethnic Heritage Ensemble- Open Me, A Higher Consciousness of Sound and Spirit
Astral planes.

8. Charles Lloyd- The Sky Will Still Be There Tomorrow
With Jason Moran, Larry Grenadier and Brian Blade.

9. Future and Metro Boomin- We Don’t Trust You
En garde!

10. That Mexican OT- Texas Technician
My review.

The Top Ten Songs of March

1. Bill MacKay- “Glow Drift”
Unhalfbricking.

2. Adrienne Lenker- “Free Treasure”
Gifts abound.

3. Charlie Parr- "Pale Fire"
Luminous.

4. Waxahatchee- “Burns Out at Midnight”
Return of the grievous angel.

5. DannyLux- "Maldito Alcohol"
Cautionary tale.

6. Mike featuring Earl Sweatshirt and Tony Shhnow- "On God"
Dead friends.

7. Anysia Kim featuring Mike- “In Doubt?”
Uncertain.

8. Matt Champion featuring Dora Jar- "Steel"
Boy band breakout.

9. Chief Keef and Mike Will Made-It featuring 2 Chainz- "Pull Up Ghost Clan"
Chiraq.

10. Lekin- “714”
Both sides now.

The Top Ten Performances of March

1. Lawrence Brownlee at the Lied Center
My review.

2. David Lord at Farewell
My review.

3. Ema Nikolovska at the Folly Theater
My review.

4. The Lyric Opera of Kansas City’s “Roméo et Juliette” at Muriel Kauffman Theatre
My review.

5. Sleater-Kinney at the Truman
My Instagram clip.

6. The Kansas City Symphony’s Matthias Pintscher Conducts Symphony Dances: ‘West Side Story’ and Rachmaninoff with Philippe Quint at Helzberg Hall
My review.

7. Danielle Nicole, Brandon Miller and Go-Go Ray at Records with Merritt
My Instagram snapshot.

8. Seth A Davis, Kwan Leung Ling, Aaron Osborne and Evan Verploegh at 7th Heaven
My Instagram clip.

9. Bryan Hicks, Rod Fleeman and Rich Hill at the Market at Meadowbrook
My Instagram snapshot.

10. Nya at the Blue Room
My Instagram snapshot.

The previous monthly recap is here.

Opera Review: Lyric Opera of Kansas City’s Roméo et Juliette at Muriel Kauffman Theatre

Original image by There Stands the Glass.

The last vestiges of skepticism left my mind during the fourth act of Charles Gounod’s “Roméo et Juliette” on Sunday, March 17. Only then was I willing to acknowledge that I was taking in a very good production. 

Even from my $39 seat in the back row of Muriel Kauffman Theatre I was moved by the chemistry between Ben Bliss and Andriana Chuchman. Most of the voices successfully traversed the vast space between the stage and my remote location. 

Compelling visuals were complemented by conspicuous direction that allowed me to track the action without opera glasses. And The Kansas City Symphony sounded more than serviceable.

I’ve misspent my time and money on a few disappointing nights with Lyric Opera of Kansas City. It may not have been particularly fashionable or fresh, but the production of “Roméo et Juliette” was grand opera done right.

Concert Review: The Lyric Opera of Kansas City’s "Tosca" at Muriel Kauffman Theatre

Original image by There Stands the Glass.

I didn’t know what to make of the lovely family seated near me in the cheap seats of Kansas City’s splashy opera house on Friday, May 7.  After witnessing scenes of torture, attempted rape, murder and suicide in Giacomo Puccini’s provocatively melodramatic 1900 opera “Tosca,” two perfectly behaved little girls in matching dresses and their doting parents walked out of the Kauffman Center for the Performing Arts as if they’d just taken in a showing of Disney on Ice.

The Lyric Opera of Kansas City’s production rattled me.  “Tosca” was the first professional opera I’d experienced in-person since 2019.  As documented extensively at this site, I came to opera late in life.  I immersed myself in the form during the pandemic.  When I finish watching the Hungarian State Opera’s mesmerizing new four-hour rendering of Richard Wagner’s “Parsifal,” I’ll have taken in 303 online operas in the past two years.

The initiative altered my expectations. Having seen Luciano Pavarotti play the ill-fated painter Mario Cavaradossiin in two filmed productions of “Tosca,” my standards are now unreasonably high. Only Marina Costa-Jackson’s turn in the title role didn’t disappoint me last night. Other positives: the Kansas City Symphony was electrifying, the lighting was excellent and the informal banter among patrons in the peanut gallery was refreshing.