Aaron Lee Tasjan

The Top Fifty Performances of 2025

Original image of Jake Heggie at Grant Recital Hall by There Stands the Glass.

I attended 154 concerts at 72 venues on 140 days during the first eleven months of 2025. Club-hopping accounts for the discrepancy. I didn’t attend any major festivals. The most expensive ticket I purchased cost $65. My total outlay for tickets, cover charges and tips for musicians was more than $2,500. A significant change in my personal life as well as the likelihood of my health insurance premiums tripling next year could mean that 2025 was my last hurrah as an avid concertgoer. If that proves to be the case, the fifty performances listed here are all the more meaningful.

1. Brad Mehldau and Christian McBride at Muriel Kauffman Theatre
My review.

2. Callie Day and Isaac Cates at Grant Recital Hall
My Instagram clip.

3. Wayne Hancock and IV at Live at the Divide (Bozeman)
My Instagram clips are here and here.

4. Jean-Efflam Bavouzet at the Folly Theater
My Instagram snapshot.

5. Speed, Whispers, Spine and Stakes Is High at the Ship
My Instagram clips are here and here.

6. Swamp Dogg at the Lawrence Arts Center
My review.

7. 10cc at Ranch Mart Shopping Center
My review.

8. Terence Blanchard with the E-Collective and Turtle Island String Quartet at Muriel Kauffman Theatre
My review.

9. OHMA at the 1905 (Portland)
My review.

10. Branford Marsalis Quartet at the Folly Theater
My review.

11. Jake Heggie’s master class at Grant Recital Hall
My review.

12. Angela Hewitt at the Folly Theater
My Instagram snapshot.

13. Traxman and Xanna at miniBar
My review.

14. Horsegirl, Sweeping Promises and Godcaster at the Bottleneck
My review.

15. Samara Joy at the Folly Theater
My review.

16. Nick Hmeljak, Henry Scamurra, Isaiah Petrie, Jordan Faught and Jaylen Ward at Westport Coffee House
My review.

17. Hayden Pedigo and Jens Kuross at the Ship
My review.

18. The Gesualdo Six at Village Presbyterian Church
My Instagram clip.

19. Militarie Gun, Liquid Mike and Public Opinion at the Bottleneck
My review.

20. Butch Hancock, Bonnie Whitmore, My Politic, Aaron Lee Tasjan and BJ Barham at the Woody Guthrie Festival (Okemah)
My review.

21. Dead Heat, Stakes Is High, Failure Drill and Honey at Howdy
My Instagram clip.

22. Leonidas Kavakos and Daniil Trifonov at the Folly Theater
My Instagram snapshot.

23. Isaiah Collier at the Old Church (Portland)
My review.

24. Destroyer and Jennifer Castle at the Warehouse on Broadway
My review.

25. David Chael, Danny Embrey, Gerald Spaits and Brian Steever at Green Lady Lounge
My Instagram clip.

26. Robyn Hitchcock and Emma Swift at Knuckleheads
My review.

27. Elvis Costello at the Uptown Theater
My Instagram clip.

28. Deborah Brown and George Colligan at Upcycle Piano Craft
My Instagram clip.

29. Alexander Adams, Seth Andrew Davis and Jeff Goulet with Shanté Clair and Krista Kopper at Grand Avenue Temple
My Instagram clip and snapshot.

30. Maria Ioudenitch and Navo Chamber Orchestra at Southminster Presbyterian Church
My Instagram snapshot.

31. Leonkoro String Quartet at the 1900 Building
My Instagram snapshot.

32. Kid Congo Powers and the Pink Monkey Birds and Dan Jones and the Squids at recordBar
My Instagram clip.

33. Made in France at the Market at Meadowbrook
My Instagram snapshot.

34. Lil Wayne and Tyga at the T-Mobile Center
My review.

35. Bachathon at Village Presbyterian Church
My Instagram clip.

36. The Lyric Opera of Kansas City’s “Becoming a Redwood: The Songs of Lori Laitman and Dana Gioia” at St. Mary’s Episcopal Church
My Instagram snapshot.

37. Vanessa Thomas, Kara Smith, Michael Pagán and Steve Rigazzi at the Blue Room
My Instagram clip.

38. Crystal Gayle at Ameristar Casino
My review.

39. Joseph Genualdi and Sean Chen at White Recital Hall
My review.

40. Isaac Cates, Oleta Adams and Callie Day at the Church of the Resurrection
My Instagram clip.

41. claire rousey and Gretchen Korsmo at Holocene (Portland)
My review.

42. Garibaldi Trio at the 1900 Building
My review.

43. Les Arts Florissants with Théotime Langlois de Swarte at the Folly Theater
My Instagram clip.

44. Bram and Lucy Wijnands with the Kansas City Jazz Orchestraa at the Folly Theater
My review.

45. Vine Street Rumble at Shawnee Town
My Instagram snapshot.

46. The Lyric Opera of Kansas City’s “Cruzar” with Mariachi los Camperos at Muriel Kauffman Theatre
My review.

47. David Finckel and Wu Han at the Old Church (Portland)
My Instagram snapshot.

48. Devin Gray at the Ship
My review.

49. Steve Cardenas, Forest Stewart and Brian Steever at Westport Coffee House
My Instagram clip.

50. Deftones, Idles at the Barbarians of California at the T-Mobile Center
My review.



Last year’s concert ranking is here.

Take Me Back to Tulsa

Original image of Butch Hancock by There Stands the Glass.

My ramblin’ jones led me to Oklahoma last week. People who aren’t obsessive about music may find the concept of music tourism in a state sandwiched between Kansas and Texas laughable. Yet Oklahoma made a huge impact on American music in the 20th century. It’s still a hub for a distinctive, commercially viable sound.

Here’s a partial roll call of prominent Oklahomans: Garth Brooks, J.J. Cale, Charlie Christian, the Flaming Lips, the Gap Band, Woody Guthrie, Jay McShann, Jimmy Rushing, Leon Russell and Bob Wills. Today, hordes of homegrown red dirt country bands like Turnpike Troubadours play to big crowds across the country.

I wheeled my road trip around Butch Hancock’s 80th birthday celebration at Woody Fest in Okemah, Oklahoma. I hadn’t previously patronized the folk festival in Woody Guthrie’s hometown. Furthermore, I couldn’t recall attending a Hancock performance, although I surely did in the late ‘80s and/or early ‘90s.

If The Flatlanders were more a legend than a band, Hancock is more a rumor than a man. His music isn’t available on DSPs and he’s certainly not the social media type. Fortunately for me, plenty of Hancock’s music is available in the Museum of Dead People and Outmoded Formats located in my basement.

Even if I was disappointed that the songwriter remained seated as his colleagues performed their favorite Hancock compositions for most of the show, I was glad to have been present at the heartwarming event that concluded with Hancock’s reading of “If You Were a Bluebird.”

I was dismayed to discover the Guthrie homestead is a vacant lot while in Okemah. I also became a Bonnie Whitmore fan, finally “got” Aaron Lee Tasjan and was reduced to a puddle of tears upon hearing My Politic’s “Buzzards on a Powerline” for the first time. I’m still reeling.

Tulsa’s bustling earthiness reminds me of Austin, Texas, circa 1995. I became intimate with the streets in and around the pretty campus of the University of Tulsa and spent quality time at the verdant Gathering Place. The Bob Dylan Center and The Woody Guthrie Center are located on Reconciliation Way at the site of one of the United State’s most horrific atrocities.

The Dylan Center is filled with the sort of crucial relics that are curiously missing at the Guthrie Center. Yet the Okie’s museum is currently hosting the touring Hip-Hop America: The Mixtape Exhibit. It also featured a strident poetry reading and a separate performance of union songs associated with Joe Hill on the day of my visit. I miss the town already. Take me back to Tulsa.